While the Internet has made the world a significantly smaller place, one of the most fun aspects is when you catch up to a cyber-buddy in real time - live! There's still no better way to build relationships than face to face. That's one more great reason to attend every convention you can squeeze into your schedule and expand the "social" in social media.
Last week at PhotoPlus Expo in NYC I caught up to Fred Windholz. While we may have met sometime over the years, I really know him from social media, especially Facebook. With everything I post, Fred is always one of the first to check it out. So, when bumping into each other at the show, I knew exactly who he was.
Fred's got a great background in lighting and in an IM conversation I asked him if he wanted to share some of that expertise. I suggested three of the best tips he's ever received, and here he is this morning!
I know for some of you this post might seem a little basic, but so often, especially when you're busy, a quick refresher of a few basics might be just what you need for a quick charge. Your clients trust you to capture the very best images. Learning to see the light and understand how it impacts each photograph may well be the most critical skill in building a strong brand.
Fred should be on your radar - click on any image to link to his Facebook page, and keep track of what he's up to.
Stay tuned because I'm hoping I can talk Fred into sharing more!
Like so many things in life right now there seems to be an either/or way of thinking. In the photography business we tend to think of one brand over another or one style of photography over another. One area I see that in is with lighting… “Natural light vs. Flash”.
As a past wedding photographer (recently slowed that genre down) for me light was light…which means I would use whatever light was best for any given situation…whether daylight, window light, light bulbs, LED or flash. The key was learning how to see light and take advantage of that light, regardless of the source.
When I teach a lighting class I start with four principles to think about - Direction, Distance, Size and Power. These hold true whether using daylight or flash.
Direction: We’ve all been told that direct front lighting is the least flattering light…not that it can’t be used at times, but that it will render “flat” light. By giving some direction to the light it begins to add shape and dimension to your subject. But what’s the best direction you might ask? I’m not going to get into that for this article because that could be a class all by itself…any direction is better than no direction (generally).
Experiment, play around and find what works best for you!